The Original Heir Amit Kumar

Happy Birthday

Amit Kumar 

Born 3rd July 1952 turns 71 today.

The true heir of Kishore Kumar,but never imitated him. 

Amit Kumar is himself a talented and melodious singer with a style of his own who has sung many popular songs. However, some people believe that he has not been able to fulfil his full potential. There are a few reasons for this.

Amit Kumar was and had always been overshadowed by his father ,Kishore Kumar who was a larger-than-life personality and a hugely  maverick singer. Amit Kumar was always compared to his father , but he as far as possible never imitated him. 

Second, Amit Kumar has never been as prolific as his father . Kishore Kumar recorded hundreds of songs, while Amit Kumar has recorded a fraction of that number. This is partly due to Amit Kumar's own choice. He has always been more interested in singing for the love of it, rather than for commercial success.

Again it’s a classic case of a tree not growing under the shadow of a taller tree.

There are so many Kishore Kumar clones or imitators but Amit Kumar preferred to stay away from that group and maintained his own unique identity. Kishore Kumar had the depth deepest baritone. Amit's voice is not that deep-throated.

The choice of songs Amit Kumar sings on stage and picks for his own private albums suggests that out of the two diverse aspects of his father's repertoire — being as sad in emotional songs as he was peppy in comic ones — he picked only the latter. Amit Kumar has very, very few numbers that move you for their sheer pathos; his father had many. 

Amit Kumar also suffered also because he had barely started rising as a constant voice of first Kumar Gaurav and then Anil Kapoor — four back-to-back hits in the late 1980s and early 1990s — when Kumar Sanu took the audience by storm, debuting with Ashiqui. While Sanu's greatest support Nadeem-Shravan was on the rise, the only duo that was giving Amit chances repeatedly, Laxmikant-Pyarelal, was at the fag end of their career followed by Anand Milind.

Amit Kumar gave his best with his mentor Pancham ( R.D.Burman ). After Burman's death in 1994, citing a lack of quality music composition, Kumar withdrew from playback singing and concentrated on live orchestra shows. In addition to singing in Hindi, has also performed in Bengali, Bhojpuri, Odia, Assamese, Marathi and Konkani.

Kishore Kumar and Amit Kumar sang a total of 28 songs together. 5 of them for Amitabh Bachchan starrers.

When you listen to them together you understand how individual and different they were from each other.

He now sings with his brother Sumeet and both give Private albums under their own banner.

Amit Kumar's best would be Base Acche Lagte Hain followed by his songs in Love Story and Teri Kasam.

Later his songs of Baazi 

One of my favourites is the one stanza he sang in Roz Roz Aankhon Tale (Jeeva).

One landmark moment in his career when he sang for Rajesh Khanna ( Kishore Kumar was known as Voice of RK) in Fiffty Fiffty, Akhir Kyon.

Another moment was when he won the Best Singer award in 1982 for Yaad Aa Rahi Hain when KK was also nominated for Choo Kar Mere Man Ko ( Yaarana) and Hamen Tumse Pyaar Kitna ( Kudrat).

These days he comes on various TV programs as an expert or Guest and his tales of his father are a treat to one's ears.

Happy Birthday Amit Ji..

Base Acche Lagte Hain Aapke Nagme.

Two Maestros..Two Days Apart

Madan Mohan & R.D Burman..

Both share their Birth Anniversaries  2 days apart..25th June and 27th June ( But 15 years apart )..Both died young Madan Mohan at 51 and R.D.Burman at 54...

You may think it odd, but when I think of Madan Mohan, I can’t help but think about the parallels between his career and RD Burman’s. Both Madan Mohan and RD Burman had to work hard to make a mark in their careers..

Both Mohan and RD struggled for many years before seeing some success. It took them both about six years before they saw their first hit – Teesri Manzil (1966) for RD Burman and Bhai Bhai (1956) for Madan Mohan. Towards the end of their career, both Madan Mohan and RD Burman grew disillusioned with their careers and died before they could enjoy the success of their last films – Mausam (1975) and Laila Majnu (1976)for Madan Mohan and 1942 – A Love Story (1994) for RD Burman.

Both Madan Mohan’s and RD Burman’s legacies have grown by leaps and bounds after their deaths. While RD Burman’s legacy grew mostly because of his fan base, Madan Mohan’s legacy had help from his family. But in Both Cases Melody was supreme.

The class of Panchamda ( R.D.Burman) won only 3 Filmfare awards.. The last after he passed away..out of 17 nominations..and one as best play back singer.

and The Agony is that the Musical magic of  Madan Mohan had 4 nominations and never won the award in his lifetime.

Film Maker and Music Director Pairing and how R.D lost out

Pairing of Music Director and Director/ Actor is common.

Many a time dependant on the equation and relationships they share and the success they achieve.

Raj Kapoor- Shailendra- Shankar Jaikishan or Dilip Kumar Naushad.

Brij - Kalyanji Anandji, 

Dev Anand S.D.Burman

Chetan Anand - Madan Mohan 

Prakash Mehra Kalyanji Anandji

Prakash Mehra Bhappi Lahiri

Manmohan Desai Laxmikant Pyarelal

Yash Chopra Khayyam

Yash Chopra Shiv Hari

J.Om.Prakash Laxmikant Pyarelal

But when one goes to R.D.Burman one finds that barring Ramesh Behl, Nasir Hussain and Shakti Samanta we hardly find anyone pairing up inspite of giving hits.

Mehmood off course was the one who introduced R.D.

Let's take the example of

Prakash Mehra and Manmohan Desai.

Prakash Mehra used R.D.Burman for Mela, Samadhi and Khalifa.

The songs were popular but after Zanjeer it was back to Kalyanji Anandji till Namak Halaal where he switched to Bhappi Lahiri.

Manmohan Desai had R.D.Burman in Rampur Ka Laxman and Aa Gale Lag Ja. The latter being a true musical melodious treat but differences came when Manmohan Desai wanted to use Mohmmad Rafi Saab for Shashi Kapoor but R.D. Insisted on Kishore Kumar due the Charecter being depicted by Shashi Kapoor. After that it was Laxmikant Pyarelal all the way till Mard ( Allha Rakha before that ) made way to Anu Malik and after Rafi Saab passed away..it was Shabbir Kumar and Mhd Aziz .

There is another example of Tinnu Anand ..Kaalia was a big hit and the music also was successful and songs are still popular but he never worked with him again.

Yash Chopra worked with R .D in Joshila and  Deewaar but due to personality clashes never worked with him again. The producer Gulshan Rai also shifted from

R.D .Burman back to to 

Kalyanji Anandji (Johnny Mera Naam).

J.Om Prakash made Aap Ki Kasam which was a musical blockbuster. and then never worked with Pancham again.??

With Actors it was like a Combination once of Rajesh Khanna, Kishore Kumar and R.D.Burman.

Randhir Kapoor, R.D.

Rishi Kapoor , R.D

Used by R.K. however just for Dharam Karam and later Biwi O Biwi.

Why was it that after churning melody after Melody he was not offered films in his last days ?

Yes one association which can be cherished is that of Gulzar and R.D.Burman as a Lyricist and as a director.

Another Post on that soon 🙏

I still feel he deserved better.

Adbhut Pancham

#adbhutpancham 

Today is the 82 nd Birth Anniversary of the Wizard of Music also 

Called the musical phenomenon, a maverick, the game-changer of the Indian film and music industries, the quintessential musical genius — he was none other than Rahul Dev Burman, known popularly as RD or Pancham.

For three decades, he ruled the hearts of music lovers( still does 27 years after he left )and gave to the film industry new sounds and dimensions in music which would captivate the imagination of music lovers and music makers for a long time to come. Some artistes create a world of their own, where they make invaluable art that moves the hearts of people when it reaches them. RD was one such artist who created music for his own joy and satisfaction without giving much thought as to what people would appreciate.

Hundreds of wonderful compositions, based on Indian classical music as well as Western music, come to mind immediately — Raina Beeti Jaaye (Amar Prem), Ghar aaja ghir aaye badra saanwariya (Chhote Nawab), Yeh shaam mastani (Kati Patang), Churaa liya hai tumne jo dil ko (Yaadon ki Baaraat), Raat kali ek khwaab mein aayi (Buddhha Mil Gaya), Dum maro dum, mitt jaaye gham (Hare Rama Hare Krishna ), Aaj unsay pehile mulaaqaat hogi (Paraya Dhan), the wonderfully melodious songs of the classic film Padosan including Sharm aati hai magar aaj yeh kehna hoga, Kehna hai, kehna hai aaj tumse yeh pehli baar, Mere saamne waali khidki mein, O mere dil ke chain (Mere Jeevan Saathi), the Sholay songs and the background score, Aandhi’s songs and those of Love Story — the list is no doubt too long to complete!

In the 1980s, RD gave us the songs of Khoobsoorat, Love Story, Kudrat, Rocky, Sanam Teri Kasam, Shakti, Masoom, Betaab, Sunny, Ijaazat, Parinda and Gardish. But in the second half of this decade, he had health and career problems. A famous director reportedly replaced him, and did not even inform him that he had been replaced. RD was tired and not quite himself. However, his swan song, the music of Vidhu Vinod Chopra’s grand film 1942: A Love Story, vindicated him completely — he showed the world that musicians like him can never fade away. Fade away, though he did, shortly before the release of this film. It was in January 1994, three months before the film came out, that RD left this world.

The fact is that all these resounding soulful melodies created by Pancham are an integral part of our lives and memories and will always be.

RD made magic — the era has changed but we can still hear RD’s sounds in the music of modern composers like AR Rahman , Vishal Shekhar , Jatin Lalit and Shankar-Ehsan-Loy.

His songs are the most remixed songs that bring his music to this generation.

Pancham will never be forgotten.

His vast body of work will never let any music lover forget him.

RD is forever. And we all know this.

Memories of Pancham are shared by his Singers and Lyricist and his own Voice..

Do Listen to this Music Sitting Mix 

The first of three parts.

https://youtu.be/8loVKY0QVdU

Yateendra Manohar Indapwar 

Reference 

Adbhut Pancham ( YouTube )

Galaxy Golden Stars Jaskiran Chopra

Saaransh

When the parallel cinema movement was at its peak in the early and mid 1980s, 

Mahesh Bhatt’s acclaimed Saaransh (1984) was one among that class of films

Saaransh, which was released on 25 May 1984, completes 39 years.

This saw Anupam Kher and Rohini Hattangadi play senior citizens, B.V.Pradhan and Parvati who lose their young son in one of those routine and senseless shooting incidents you still hear about in the United States.

The sequences showing the anguish of the father who has to plead and also loose his cool to get his sons Ashes. There is a beautiful interjection with  the minister Aaksh Khurana and speaks dialogues that I feel can never be forgotten, it's a voice of a common man .The minister tells Mr.Pradhan that he as a teacher had taught him the meaning of hope and now irony is that Pradhan Sir is saying there is no hope.

Pradhan sprays the Ashes over the nearby park ( Shivaji Park ). With loss of all the purpose they had in their life, their son, there is no meaning left to their lives anymore. 

Even as they are trying to come to terms with their loss, struggling actress Sujata (Soni Razdan) enters their house as a paying guest. Sujata is in a relationship with boyfriend Vilas (Madan Jain) and one day she finds out she is pregnant. Parvati, still trying to cope with her grief, is convinced the unborn child is a reincarnation of her son. Pradhan, an atheist and rationalist, disagrees.

As they are dealing with this Vilas's father Gajanan Chitre,(Nilu Phule in a menacing role) a political bigwig, wants the pregnancy aborted by hook or crook as elections are looming and he does not want a scandal to taint his campaign.

Sujata and Vikas  want the child and Pradhan get ready to support them. Parvati feels it is coming home for their son through Sujata and is obsessed with the feeling.

Then starts the story of a 'hopeless' life getting a purpose. An old couple against the might of the big politcian to save a child who is not yet born.

What happens can be predictable but the end remains a landmark..

Anupam Kher acts his part with sheer brilliance, he carries the film all on himself. He plays an old man in his first film! He won a Filmfare Award for an act in the parallel cinema. He just proves his grasp over the character in certain scenes, depicting despair and hope. Rohini Hattangadi's performance comes just next to her performance in Gandhi. Nilu Phule looks sinster, Madan Jain and Soni Razdan carry their role very well.

Ajit Varman gives a good music as the film demanded. Dialogue, screenplay and writing are simply fabulous, all credits to Mahesh Bhatt for etching the characters so well. You just live the lives of the characters while going through the movie

SPOILER  ALERT:

The Happiness of the couple towards the end lies in the dialogue

which Pradhan says to his depressed wife

 "Tumhari chehre ki jhurrio mein mere jeevan ka saaransh hai"

Very touching. Also at the end we see their sons ashes turning into flowers of the garden and both of them touching the flowers feeling the life they have, which too is a part of them.

The real beauty of life is that we all are mortal, but life goes on.

I left the theatre with moist eyes .

It's a lovely film.

It's available on Amazon Prime.

++

Additional Trivia

The film is produced and was Distributed by Rajshri Productions

and the Asst Director was Sooraj Barjatya

And it was edited by David Dhawan.

Both became successful and top Directors in later days and future.

Laawaris 22.5.1981

22.5.1981

Laawaris was released.

Completes 42 Years today..

There is something in May which suited Prakash Mehra and Amitabh Bachchan.

11th May Zanjeer

18th May Sharaabi

22nd May Laawaris.

Namak Halaal was also released on 30th April.

Laawaris was the first Solo film of Prakash Mehra and Amitabh Bachchan after Zanjeer.

The film starts with a Love story of Ranveer Singh( Amjad Khan) and Vidya culminating in her pregnancy. Vidya dies during child birth and the born son is disowned by his father.

Vidya's Brother a lawyer ( Satyen Kappu) gives the child to a driver Gangoo Ganpat ( Dr Shriram Lagoo) who decides to raise him.

He is named Heera after a pet dog.

Laawaris is the story of this orphan.

Gangoo keeps his liquor running with Heera's earnings.But in a state of intoxication and being rebuked he tells Heera that he is a " Gandi Naali Ka Keeda" and wouldn't share the identity of his parents.

Heera is now determined to find the identity of his lineage.

Heera leaves Gangu and proceeds to work for Mahendra Pratap Singh ( Ranjeet) son of Ranveer Singh ( his step / foster brother) now tormented by guilt for his past misdeed. 

The film takes off from there including a romantic liaison with Mohini ( Zeenat Aman)  a spoiled vixen he quickly tames, who is also (unbeknownst to him), the daughter of the very lawyer who disposed of him as an infant and who turns out to be his childhood crush.

Mahinder puts Hira in charge of his most obstreperous millhands (among whom Hira quickly establishes himself as alpha male) and also gives him special assignments like demolishing hutments and a Hanuman temple to make way for a “five star hotel.” Hira spares the temple ( after a complete riot of using all languages known his knowledge of numerous Indian languages and the characteristic mannerisms of their speakers is attributed to his younger days in an Udupi hotel ) and leads the homeless poor to the mansion of Mahinder’s girlfriend ( Padmini Kapila) where he contrives to have them accommodated while compelling Mahinder to build a “model town” for them. Eventually he runs afoul of Mahinder and earns the affection of the pious Ranvir, who disapproves of Mahinder’s misdeeds but, naturally, does nothing to check them. 

Heera himself develops a love-hate relationship with Ranvir, to whom he is strangely attracted, and Ranbir's Daughter Madhu.

He also champions the cause of a potter whose sister ( Preeti Sapru) Mahinder tried to ravish, and when the poor potter loses his arms .

Hira even does a stint of expertly shaping clay on the wheel.

There are several claptrap situations and Amitabh's character has a lot of mass appeal. His scene where he delivers a speech at a function to award Amjad Khan is superb,Another one is Amitabh and Zeenat's first meet and the confrontation after the song Kahe Paise Pe which is at interval Prakash Mehra's films always had a strong message on society too and this film too has a strong message. On the flipside the film does tend to slow down at times and several instances the story does deviate at times focusing on comedy scenes and other stuff ( The sequence where Heera saves a Temple and beats the goons in their own languages is hilarious.

The relationship between Amitabh and Suresh Oberoi is well depicted and the turn of events are well handled, Amitabh being accused and threatening to take revenge on Amjad Khan is superb and the scene when Amitabh confronts Amjad in his bungalow is terrific.

Music by Kalyanji Anandji is awesome, Apni to Jaise Taise, Kab Ke Bichre, Mere Angne mein(sung by big B) are still remembered, Kishore sang almost all songs for Big B again as in those days and every song is Melodious, Kahe Paise Pe ,Jiska Koi Nahin are brilliant too while the first song Mere Angne mein filmed on Rakhee is sung by young Alka Yagnik and she is shows her class.

The premise of Laawaris was apparently based on the strained relationship Prakash Mehra had with his own father. He would later explore a similar theme with Sharaabi. His direction is slick.

He was assisted by Ram Sethi

He used many carry overs from MKS..

kids separating in childhood and reuniting as adults, Young actor Mayur Verma played the child version of Amitabh Bachchan’s character in Laawaris and had done the same in Muqaddar Ka Sikandar.

Even cast wise he keeps his regulars..Ranjeet is good in his role, Suresh Oberoi is superb Om Prakash is good too while Bindu is stereotypical Ram Sethi entertains as the loud yes man of Ranjeet, he starred mostly in all films of Big B and PM. Satyen Kapuu as the villain is good while Sreeram Lagoo is fabulous ,Jeevan is as usual  Padmini Kapila plays his  daughter in a relationship with Ranjeet in the film.

Predictably Amitabh scores and delivers yet another superlative performance, he had  played streetsmart characters often but Laawaris is still remembered amongst them. Zeenat Aman ( who replaced Parveen Babi) is apt in her role Amongst actors Amjad Khan is superb in a positive role(he starred in most Bachchan releases that year Kaalia, Yaarana, Naseeb and Barsaat Ki Ek Raat too).

Amitabh in Drag is a rarity but it is here in the song Mere Angane Main.

Which was a last minute addition to the film. ( Which apparently was disliked by Jaya ).

Laawaris remains a PMP and AB film and a Blockbuster 

( My memories include fighting for the tickets and seat in Gopal Theatre Amravati at the age of 16.)

As Heera says

"Kabhi kabhi insaan apne paap ka ek chota sa paudha chhodkar bhaag jaata hai ... lekin kismat us paudhe ko ek pedh banakar uske samne khada kar deti hai.."

Rang Birangi and The Hrishikesh Mukherjee Trilogy

Today is 40 years of a Colorful Classic Comedy

Rang Birangi

Released in 1983 this was the third in the series of Hrishikesh Mukherjee, Amol Palekar and Utpal Dutt movies 

Gol Maal (1979)and Naram Garam (1981) being the other two ( although Utpal Dutt had just a friendly appearance in Rang Birangi.)

 It was a trilogy of sorts and the fourth angle (Quartet) was completed 15 years later in 1998 without the key players replaced by Anil Kapoor and Amrish Puri walking into Utpal Dutt's shoes.

Gol Maal was a huge success and now a cult film.

Naram Garam though a well scripted comedy didn't do as  the predecessor

Coming to Rang Birangi

A Sparkling comedy about a meddling friend (Deven Verma) whose attempt to rekindle the spark in his friend’s Ajay( Amol Palekar..again at his best) relationship with his wife Nirmala ( Parveen Babi.. elegant as ever ) of seven years leads to complications to their lives, and to the lives of his secretary Anita  ( Deepti Naval) and her boyfriend Jeet ( Farooq Sheikh) he has not ‘scripted’ …where Jeet has to impersonate as a detective Dhurandhar Bhatavdekar ( A powerful name which turns out to be a real Cop who is Nirmala's uncle ).. resulting in an utterly  comical climax.

Splendid performances by Amol Palekar, Deepti Naval, Parveen Babi and Farooq Shaikh, Cameos by Om Prakash and Utpal Dutt stand out.

Music is by R.D.Burman (for the complete Trilogy). Kabhi Kuch Pal Jeevan Ke is a sheer melody.

A perfectly pitched script, witty dialogue and a aptly placed film reference to Pati patni Aur Woh

make this a film one can watch over and over again.

It's available on Amazon Prime , MX Player and YouTube.

Image & Ref : Bollymints, Wikipedia